← All posts

How to Equalise at Depth in San Diego's Colder Waters

Master equalisation for freediving in San Diego's cold water. Frenzel technique, mouthfill, cold-water effects on sinuses, and troubleshooting for La Jolla dives.


Equalisation is the skill that determines how deep a San Diego freediver can go. Fitness, breath-hold capacity, and technique all plateau quickly if equalisation fails — and in San Diego’s characteristically cold water, the Eustachian tubes and sinuses face additional challenges that make proactive management essential. Here is a complete guide to mastering equalisation specifically in San Diego’s conditions.

The Physics of Equalisation at San Diego Depths

Every 33 feet of seawater adds one atmosphere of pressure. At La Jolla’s moderate recreational depths — 30 to 80 feet — you are experiencing two to three and a half times surface atmospheric pressure on your ears and sinuses. Without equalisation, the tympanic membrane (eardrum) bends inward painfully, and below 50 feet, rupture risk becomes significant.

The goal of equalisation is to add air to the middle ear space (and mask, if wearing one) to match the ambient pressure, keeping the eardrum in a neutral position.

Equalisation Methods: From Beginner to Advanced

Pinching the nose and blowing against it — the Valsalva manoeuvre — is what most people learn as children and what scuba divers often use. It works by exhaling from the lungs into the eustachian tube.

For freediving, Valsalva is a poor technique because it depletes the lung air volume you need for the dive. Using Valsalva aggressively on descent burns through your air reserve and increases the risk of pulmonary barotrauma. San Diego freediving instructors universally teach Frenzel as the correct alternative.

Frenzel Equalisation

The Frenzel technique uses the tongue and soft palate to compress a small parcel of air in the throat, pushing it up the Eustachian tube without involving the lungs. Once learned, it is significantly more efficient, more comfortable, and far better suited to the multiple equalisations required during a San Diego freedive descent.

Learning Frenzel:

  1. Close your glottis (the back of your throat) as if lifting a heavy weight or beginning a grunt.
  2. Pinch your nose.
  3. Move your tongue to the roof of your mouth, then snap it forward — like saying the letter “T” or “K” forcefully.
  4. Feel the pressure in your ears equalise.

Most San Diego freedivers learn Frenzel competently in one to three training sessions. Practice dry — sitting at home, pinching your nose, and running through the technique repeatedly — before attempting it underwater.

Mouthfill (Advanced)

For dives beyond 60–70 feet, the lungs compress to a volume too small to push air effectively into the Eustachian tubes. At this point, the mouthfill technique is required: you take a full mouth of air at 30–40 feet before the lungs compress, hold it in the closed oral cavity, and use that isolated air pocket to equalise all the way to target depth.

Mouthfill allows access to depths up to 150+ feet on a single breath without the lung volume penalty of Valsalva. If you are regularly targeting the Scripps Canyon wall at La Jolla Shores in the 60–80 foot range, investing in formal mouthfill training is worthwhile.

How Cold Water Affects San Diego Equalisation

Cold water is the defining context for this guide. San Diego’s water ranges from 57°F in January to 72°F in late August, and the effects on equalisation physiology are significant:

  • Mucosal swelling. Cold water contact with the face and ears causes blood vessels in the mucous membranes to dilate as the body tries to warm exposed tissues. This swelling narrows the Eustachian tube opening, making Frenzel more difficult and requiring more pressure to achieve the same result. La Jolla in January or early February is the hardest equalisation environment of the year.
  • Congestion accumulation. Cold water swimming increases mucus production in many divers. A session that starts with clear sinuses can become congested within 30–45 minutes as cold water exposure accumulates. Monitor this actively and ascend before congestion causes a failed equalisation.
  • Cold shock and Eustachian tube spasm. An abrupt entry into very cold water — diving headfirst into La Jolla Cove on a 58°F January morning — can trigger a brief Eustachian tube spasm that makes the first equalisation of the day nearly impossible. Enter the water gradually, allow 5–10 minutes of surface adaptation before attempting descent, and perform your first Frenzel at two to three feet before diving deeper.

Pre-Dive Equalisation Health Checks

Before any San Diego session, particularly in spring (high pollen and cold runoff season), perform a dry equalisation check:

  • Pinch your nose and perform a gentle Frenzel. If you feel or hear a normal pop in both ears, you are clear.
  • If one or both ears do not open or feel blocked: test a second time after 5 minutes. If still blocked, do not dive deeper than 20 feet.
  • If you have any facial congestion, pressure behind the eyes, or sinus pain: do not dive. These are classic signs of congestion that makes equalisation-related barotrauma likely.

San Diego’s allergies are significant — the city’s endemic plants (coastal sage scrub, chaparral species) produce heavy pollen in March through May, which coincides with the beginning of prime freediving season. Many San Diego freedivers use saline nasal rinses the morning of a session to clear passages before entering the water.

Equalisation Technique on Descent

The descent itself should be a sequence of equalisations, not a desperate last-second effort:

  • Begin equalising at the surface before descending. Open your Eustachian tubes proactively.
  • Equalise every 3–5 feet on descent, not when you feel pain. Waiting for pain means you are behind the pressure curve and are at risk of barotrauma.
  • Slow your descent if equalisation is difficult. At La Jolla Cove, you have the option of using the reef wall to slow descent and control depth incrementally. Use it.
  • Never continue past an equalisation failure. If Frenzel fails to open one ear, ascend 5 feet, try again, and if unsuccessful, abort the dive. A ruptured eardrum ends your San Diego season.

Check the conditions score in the Element app before your La Jolla sessions — warm, calm days mean warmer entry water, reduced mucosal swelling, and the easiest possible equalisation conditions.

Frequently Asked Questions

Why is equalisation harder when freediving in cold San Diego water?

Cold water causes the mucous membranes in the sinuses and Eustachian tubes to swell, narrowing the passages needed for equalisation. This is especially noticeable in San Diego's winter water (57–60°F) and during upwelling events that push cold water to the surface at La Jolla and Point Loma.

What is the best equalisation technique for freediving in San Diego?

Frenzel equalisation is the gold standard for freediving in San Diego. Unlike the Valsalva manoeuvre (used by scuba divers), Frenzel does not require exhaling from the lungs, preserving the air volume needed for deeper dives. Advanced San Diego freedivers targeting 50+ feet should learn the mouthfill technique.

How do I deal with equalisation problems caused by a cold or congestion before a La Jolla dive?

Do not dive congested. Attempting to freedive with blocked sinuses or Eustachian tubes when freediving in San Diego carries a real risk of a reverse squeeze on ascent, which can rupture capillaries or rupture the eardrum. Wait until fully clear, or do a shallow session limited to 15–20 feet where equalisation pressure is lower.